13 agosto, 2011

Parece que les hemos gustado a nanobotrock.com y han añadido otra review-Clay’s Take- Big Bang:

http://nanobotrock.com/reviews/623

-Clay’s Take- Big Bang: Sin Renuncia A La Esperanza (Hope Not Given Up)

There are many international languages, but the big three in my mind are math, love, and music. The first two are generally mutually exclusive, except for people who say «I love math!» The latter almost always go hand in hand. Drop the language down to one of the romance language, and music and love are almost always synonymous. Mention «Spanish» and «music,» and fairly or unfairly, sappy love songs are the first thing to come to mind. (más…)

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12 agosto, 2011

Otra buena crítica desde fuera de nuestras fronteras por parte de www.nanobotrock.com de NY.

http://nanobotrock.com/reviews/586

-Greg’s Take- Big Bang: Sin renuncia a la esperanza

We (as people) tend to shelter ourselves to a particular genre or even to a few bands when it comes to musical taste. On occasion we’ll venture beyond our little wall of safety to a new style and are amazed to find there is more out there. Very rarely do we ever venture to another language. (más…)

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10 agosto, 2011

Nueva Review desde Estados Unidos.. Simplemente super contentos de sus palabras!!! Muchas gracias Jester por gran crítica!!

http://jesterjaymusic.blogspot.com/2011/08/cd-review-big-bang-sin-renuncia-la.html

Wednesday, August 10, 2011

CD review – Big Bang, Sin renuncia a la esperanza (2010)

Spanish rockers mix up modern and alternative influences

Big Bang from Barcelona may share a name with bands from Norway and South Korea, but their sound is a unique mix of alternative and modern rock along with a metallic aftertaste. Hearing Sin renuncia a la esperanza, it’s easy to imagine the band growing up on a weird mix of Rage Against the Machine, Soundgarden, and Frank Zappa veterans like Steve Vai and Mike Keneally. That Zappa-inspired modern rock is a fundamental part of Big Bang’s iconic sound, but it’s always leavened by a hard rock edge. It’s a seamless transition that exercises both the inner headbanger and appreciation of what Zappa called «stunt guitar». (más…)

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